¶ … Olaudah Equiano's Interesting Narrative and Harriet Jacob's Incidents in the Life of a Slave Girl
During the 18th century, laws ensured that slaves could not legally learn how to read and write, but many did so anyway and, with the help of antislavery activists, managed to publish their poignant accounts of slavery based on their first-hand experience. For modern readers, these narratives continue to provide an eloquent but disturbing description of the brutal conditions that existed for four million black people in the Land of the Free as recently as 140 years ago or so. The first such first-hand account of a slave's experiences was Olaudah Equiano's The Interesting Narrative. Equiano's vivid descriptions of his adventures are supported by documents written by those who knew him as well as the historical record. Likewise, Harriet Jacob's Incidents in The life of A Slave Girl represented the first such slave narrative written by a female. This paper will argue that a comparison of these two narratives reveals a number of common features, but their differences can rationally be attributed to and exacerbated by the authors' differences in gender. A summary of the research will be provided in the conclusion.
Review and Discussion
During the 1500's and 1600's, the colonization of the New World by Europeans resulted in the rapid expansion of slavery; however, changing moral attitudes about slavery helped to bring about its decline during the 1800's. One of the literary vehicles used by the antislavery movement were the narratives written by slaves and former slaves which described the brutality and inhumanity involved in the institution of slavery. These slave narratives helped to document slave life from the invaluable perspective of first-hand experience. The first such slave narrative was Olaudah Equiano's The Interesting Narrative. In sharp contrast to the depredations and hardships described by Harriet Jacobs, though, Equiano narratives also describes his exciting adventures on the high seas, which included not only travels throughout the Americas, Turkey and the Mediterranean; but participation in major naval battles during the French and Indian War (Seven Years' War), as well as in the search for a northwest passage led by the Phipps expedition of 1772-1773 (145). During his period of enslavement, Equiano assisted his merchant slave master and worked as a seaman. When he was 44, Equiano wrote and published his autobiography in 1789 (Allison in Equiano 1995). Furthermore, it is difficult to challenge Equiano's accounts of his experiences, since his editor emphasizes that Equiano had an excellent memory, maintained a meticulous journal and incorporated testimonials from people in positions of authority to help establish his credibility. Equiano's stark accounts of the brutal treatment of his fellow slaves, though, only makes a contemporary reader wonder how he could actively participate in such a practice. Equiano himself admits he participated in the slave trade willingly for his own personal benefit by making himself as valuable as possible through self-improvement and hard work to avoid being sold, as well as recognizing that it would be a good business opportunity for himself in order to save enough money to buy his own freedom: "I used to double my diligence and care, for fear of getting into the hands of those men who did not allow a valuable slave the common support of life" (93). While Equiano's condition in life was not enviable by any means, it would seem that, from his perspective, it was better than some that might result if he failed to keep his master happy - even if this meant working harder at promoting the slave industry in the process. The author states he was "often witness to cruelties of every kind, which were exercised on my unhappy fellow slaves. I used frequently to have different cargoes of new Negroes in my care for sale; and it was almost a constant practice with our clerks,...
Olaudah Equiano, Enlightenment Era Olaudah Equiano is credited with surviving, and perhaps even thriving in, perilous circumstances that would have destroyed the best of men. His is a character study in complexity because he has an extremely trenchant mind, as manifested in his verbal prowess and in his business acumen, the latter of which was directly responsible for the purchasing of his own freedom from chattel slavery in the 18th century.
..really believe[d] the people could not have been saved" (Carretta, p. 129). In conclusion, this is a fascinating man who was put into slavery and later became an educated, respected writer in his own time. And yet, even after publishing his book, the Interesting Narrative, critics in London doubted that he could have written it himself. A black man with such narrative skill was obviously a rarity. In the Monthly Review,
Equiano and Slavery Equiano's main purpose in writing this Narrative was to inspire Parliament to abolish the African slave trade, which he stated at the beginning when he presented it in 1789. Part of his strategy was to describe himself as a humble "unlettered African" grateful to the West for obtaining knowledge of Christianity, liberalism, and humanitarian principles who is petitioning on behalf of his "suffering countryman" (p. 2). For the
5). Although the author was far from being fortunate to have been sold and bought and sold again, his ability to survive the sea passage that killed so many of his brethren testifies as much to his luck as to his mental and physical strength. Moreover, Equiano was young enough when he was first sold to the British to have still retained the fear of a child that might
(Olaudah Equiano: A Critical Biography) In the final analysis while there may be some controversy about various details and dates, the narrative in the book is generally accepted to be authentic and reveals a man's search for meaning and freedom. 3. Conclusion The autobiography of Olaudah Equiano is a testament to the search for human freedom and a firm indictment of the practice of slavery. Whatever the debate it about its
Although Equiano portrays 'good' whites in his narrative, perhaps to make his condemnation of slavery more persuasive to his audience, he is also unsparing in his presentation of its horrors. African girls as young as ten are defiled, and men are branded with their master's initials to prevent them from escaping: "And yet in Montserrat I have seen a negro man staked to the ground, and cut most shockingly,
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